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Christopher Farr

Vulcania

Rendered in handwoven or knotted wool, jute and silk, the Vulcania collection – named for the ship that brought Alexandriuk’s parents from Europe to North America – includes seven rugs inspired by the elemental ebb and flow of travel.

Dresden, Aubergine

This design is a unique modern interpretation of the cube pattern. We achieved the illusion of 3D cubes with hi-low pile.

Dresden, Indigo

In historic Dresden, great plazas are tiled in stones cut and placed in a cube pattern. This very old and universal pattern continues to inspire designers and artists.

Dresden, Ivory

This design is a unique modern interpretation of the cube pattern. We achieved the illusion of 3D cubes with hi-low pile.

Istria

The initial spark for this design came from a necklace that was created by a French jewelry designer in the 1940s.

Korcula

The color palette of blue, purple and green is evocative of Croatia’s remarkable rich landscape.

Oztek

This minimalistic design lends vibrancy in the interplay of the shapes and colours.

Spandau, Bone

Triangular shapes of muted beige, grey and brown are defined by charcoal grey lines, like the bricks that serve as a memorial demarcation.

Spandau, Stone

Spandau recalls the remains of the Berlin wall, once a barrier dividing the great city.

Vulcania

Baubles, stones, gems and mirrors inspire the circular organic forms in yellow, red and blue.

Zadar, Aegean

Available in several custom color schemes, extraordinarily rich and full of life and color.

Zadar, Chestnut

This sophisticated pattern works beautifully with many color combinations and can act as a neutral to ground the space.

Zadar, Noir et Gris

Organic forms find a natural rhythm in negative and positive space.